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An indoor playground for electronic enthusiasts, Everywhere Festival, the largest multi-venue dance

event in the East Midlands returned to the clubs of Nottingham for its third successive year on May 3rd.

With an eclectic selection of artists and DJs, the tastes of many were catered for with dollop

presenting acts to satisfy the most passionate of electronic, house, techno, grime and garage lovers.

 

Alongside hardened veterans of the electronic and dance scene such as chart-topper Route 94 and

Leeds’ Hot Since 82 performing at Forum, came newcomers such as garage and grime goddess Flava

D adding a sense of rhythmic bass to Rescue Rooms.

 

International talent came from Cyril Hahn at Rock City and Motor City Drum Ensemble at Stealth.

Rescue Rooms set off Everywhere 2015 with a day party from 2pm, switching at night to a line-up

with an urban edge, with Melé concluding the evening with a bass-fuelled set, contrasting the

infectious house and techno pumping throughout the other venues.

 

It was Rock City’s main hall that attracted the largest crowds of the evening, as the masses crammed

themselves onto the dance floor and along the balcony.

 

Redlight gave a sterling performance, driving anthemic beats throughout with popular hits such as

Gold Teeth & 9TS ensuring the crowd continued to beat the air throughout his set.

 

“Notts was sick,” he said upon posting a picture of the audience after his set to his Instagram

account.

 

Followed by highlight of the evening Hannah Wants, who kept the masses of 20-somethings

shuffling on their feet with her cleverly driven DJ set, a seamless mix of renowned original work such

as Rhymes and clever remixes of old-school classics such as Renegade Master.

 

Her bold determination towards the end of the night left many a sweltering and heaving mess.

Aggravated bar staff and bouncers tried to stay optimistic as dawn approached and sweat began to

drip from the booming speakers upon the waning crowds.

 

Stealth offered a wind down from the smoke machines, flashing lights and visuals, as the survivors

swayed to the beats of Chunky, Paleman and Loefah, proving a more calming finish to the evening.

With bass pumping through the mind, bodies and souls of revellers for eight hours straight, most will

still have a ringing in their ears today.

 

For the partygoers of the Midlands, it is a good thing that it is a bank holiday weekend.

As seen originally for the Nottingham Post in print, and online for the Summer Festival Guide.

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Hopkinson Vintage Antiques and Art Centre in Nottingham do vintage clothing, accessories and homeware like no other. Beautifully filled to the brim with four floors to explore, each visit you are guaranteed to find something you will fall in love with.

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However, on a quest for somewhere new to enjoy lunch, me and Lauren of The Original Blonde Journalist, decided to take a bite at their Tea Bar. Which is situated at the entrance to Hopkinson’s vintage haven (we managed to eat before exploring, you should be proud of us).

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The interior of Hopkinson’s is just beautiful. Quaint with mis-matched vintage chairs and cutlery. It is very relaxed, very charming and very vintage.  The menu is simplistic, a brunch (beans on toast will set you back £3), lunch and swift bite place. It includes pita bread pizzas, light bites (Antipasti Platter or cakes, depending on whether you are feeling savoury or sweet), jacket potatoes, soups, sandwiches/toasties and afternoon tea (always a good shout in my opinion).

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We were greeted by a cheery and lovely floral dressed waitress. Who quickly took our order and chatted away merrily to other customers. Service was slow but the atmosphere was so nice it did not matter to me and Lauren. If you are hoping for a swift service though you may have to opt for fast food, in Nottingham that is never an issue.

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I ordered a mozeralla, chicken and pesto toastie and diet coke and Lauren a ham and cheddar (it was not) sandwich and sprite.  Lauren was very disappointed on discovering her order was wrong and instead of her beloved cheddar she was greeted with large slices of mozzarella. She spent a solid minute convincing me that it ‘tastes like egg’ before I eventually sampled and unfortunately had to agree – it was bad.

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Overall, the Hopkinson Tea Bar was a disappointment and it truly saddens me to say so. It was nice but nothing spectacular considering the inflated price. The ingredients seemed cheaply sourced, even the granary bread failed to impress. Sorry Hopkinson but I shall only be returning for your non-edible and vintage items, which you do oh so perfectly.

Where do you head for your lunch and vintage?

Stephanie xox

ArtMadina-Lake

Goodbyes are often difficult, especially when the band departing still have so much potential and have proved to be so popular.

It’s been five years since Madina Lake have graced the music venues of Nottingham and their first and last visit to the intimate and excitable conditions of Rescue Rooms.

With a mix of older and younger generations, the venue proved chatty and friendly as the alternative rock quartet from Chicago leaped into action amidst masses of fans.

They have grown a lot since their debut (and still well loved) album ‘From Them, Through Us, To You’, opening energetically with the classic track ‘In Another Life’.

The songs that followed were a mix from their other released albums ‘Attics to Eden’ and ‘World War III’ with favourites such as ‘Never Take Us Alive’, ‘One Last Kiss’ and ‘House of Cards’.

This choice ensured screeching girls, routine jumping and amplified applause in the small venue, as the crowd instructionally clambered closer and closer to the stage.

They were split as ‘Here I Stand’ began, encouraging screams, dancing and the occasional feeble mosh with the band absorbing every moment of rowdiness.

Lead singer, Nathan Leone, certainly knew how to work the crowd and his adoring female fan base. The interaction was impressive, emotional and truly personal. Waving arms, held hands and crowd surfing made it a farewell to remember.

An unusual encore of three songs followed the spirit of the evening, with the band finishing with the empowering ‘Me vs. The World’ before profusely and genuinely thanking the crowd as they frantically leapt forward past the barrier to say their final goodbyes.

Alas, Madina Lake will sadly not be returning to the UK with Nathan concluding: “you’ve been extraordinary. Just do what you love and be happy. We just can’t thank you enough.”

As originally featured and edited on the Nottingham Post website.

The Red Jumpsuit Apparatus live review at Rock City Nottingham

The Red Jumpsuit Apparatus live review

There are some bands you just love from childhood and The Red Jumpsuit Apparatus are one of mine.

Arriving at Rock City in Nottingham on a very chilly March evening I was surprised to find the bands playing in the smaller and more intimate downstairs ‘basement’ room.

Rat Attack

The first support, Rat Attack, began their set quickly. Their lead singer wearing a black sparkly shirt to die for, energetic as he encouraged crowd surfing throughout, diving in himself towards the end of the set.

The “party punk” band proved skilled and I can see their upbeat music becoming popular, one to watch.

Tantrum to Blind

It seemed crowd involvement would also be key as the Swedish band Tantrum to Blind took to the stage. Led by feisty blonde, Melanie Mohlkert, the female-led foursome proved just as impressive as their side cuts.

It was a slow and quiet start but the crowd were soon singing along and bouncing about as they got more familiar with the band, preparing themselves for the main event. Tantrum to Blind proved very fun indeed with their dabbling in electronica, rock and pop, a mix of genres to satisfy most.

The foursome appeared ecstatic as they exclaimed Nottingham as the “best crowd we’ve had this tour” and left with beaming smiles, lurking around the merchandise area to speak to their new and squealing fans.

The Red Jumpsuit Apparatus

As The Red Jumpsuit Apparatus arrived the crowd went wild on their feet, appearing a lot more plentiful as people gathered around. They began the set perfectly with ‘False Pretense’ from their first (and my all time favourite) album Don’t You Fake It. The lively crowd moved and snapped along, cameras in hand. Moving  on to newer things they began ‘Don’t Hate’ from the 2010 EP The Hell or High Water with Ronnie Winters showing just how loud those screams can be.

However, it was not long before we were back to the popular and classic Don’t You Fake it of 2006 with the songs ‘In Fate’s Hands’, ‘Cat and Mouse’ and ‘Damn Regret’, encouraging a mass of mosh circles and big smiles. Winters humbly asked if we could recall the older music as people swayed to the softer ‘Cat and Mouse’, before demanding the crowd to become rowdy for  ‘Damn Regret’: ” We came all the way from Florida for you guys, get those fists in the air”.

So, what did I think of The Red Jumpsuit Apparatus live?

We then got round to ‘The Crazy Ones’ off their new album Et Tu, Brute? Unfortunately, I couldn’t really hear Winters on the microphone but the fast pace of the music kept people going and it proved itself to be a popular and anticipated song. Back to the past again with ‘Reap’ from the third album Am I The Enemy 2011. Everyone went a bit mad here, their arms flying about nicely to Winters impressive set of lungs and the rest of the bands impressive guitar riffs and drum solos.

The band from Florida then gave us ‘Justify’ with Winters saying: “not the most popular but one of our favourites” before encouraging a mosh circle and a load of screams with ‘Casting the First Stone’ from The Hell or High Water.

Onto calmer things we got an acoustic version of both ‘Your Guardian Angel’ and ‘Seventeen Ain’t So Sweet’, the latter done by Winters as a solo as he exclaimed: “I sing and you sing,  just you and me, no effects.” Calm entered the basement as arms swayed and the crowd sang along, an experienced Winters singing strongly with them.

However, this is The Red Jumpsuit Apparatus and we all know they don’t do things quietly for long. The band finished with the oh so powerful ‘Face Down’, a favourite of many from their first album. I am sure that the sounds of clapping and vibrations from the movement of the mosh upon the floor echoed that intimate basement for some time after we all departed.

Do you like The Red Jumpsuit Apparatus? Have you been to one of their live shows?

Stephanie

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This gig was exchanged for an honest review