Ghibli by hyung86

Studio Ghibli to stream in the UK

It’s happening. It is really happening. From February 2020, the majority of Studio Ghibli films will start to be available to stream in the UK. And we have Netflix UK to thank.

Growing up, I remember the joy of finding Studio Ghibli films randomly on Film4. The channel would regularly have entire seasons dedicated to the Japanese animation studio. They even screened My Neighbor Totoro at the Film4 Summer Screen at Somerset House.

Most importantly, 21 films from the Japanese animation giant will be available on the Netflix UK from February to April 2020.

Surprisingly, the streaming service will include fan favourite animations such as Oscar-winning Spirited Away, Princess Mononoke, Howl’s Moving Castle and My Neighbor Totoro.

When will the Studio Ghibli films stream in the UK?

Release dates and titles on Netflix UK include:

February 1, 2020

  • Laputa: Castle in the Sky (1986)
  • My Neighbor Totoro (1988)
  • Kiki’s Delivery Service (1989)
  • Only Yesterday (1991)
  • Porco Rosso (1992)
  • Ocean Waves (1993)
  • Tales from Earthsea (2006)

March 1, 2020

  • Nausicaä of the Valley Wind (1984)
  • Princess Mononoke (1997)
  • My Neighbors the Yamadas (1999)
  • Spirited Away (2001)
  • The Cat Returns (2002)
  • Arriety (2010)
  • The Tale of the Princess Kaguya (2013)

April 1, 2020

  • Pom Poko (1994)
  • Whisper of the Heart (1995)
  • Howls Moving Castle (2004)
  • Ponyo (2008)
  • From Up on Poppy Hill (2011)
  • The Wind Rises (2013)
  • When Marnie Was There (2014)

The only feature-length film excluded from the stellar line up is renowned tear-jerker Grave of Fireflies.

Unfortunately, these films will not be available to stream on Netflix in USA, Canada or Japan.

What is your favourite Studio Ghibli film? Which are you most looking forward to watching?

Stephanie xox

Hungry for more? Take a read of Why Studio Ghibli is better than Disney

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My Neighbor Totoro, Film4 Summer Screen at Somerset House, Courtyard | The LDN Gal

My Neighbor Totoro review with Film4 at Somerset house

In case you have not already guessed, I am a massive Studio Ghibli fan and have been since childhood. So, you can imagine my excitement when Film4 announced their Summer Screen 2017 series at Somerset House and My Neighbor Totoro was a featuring film.

The Film4 Summer Screen experience is something I have also been longing to do for a while now. It can be notoriously difficult to get tickets at times but thankfully I nabbed two for the screening of My Neighbor Totoro on Sunday, August 20, 2017.

Of course, like most people who visit Somerset House for the two-week summertime event, I had already seen the film. However, the appeal of the event is that it is an open screening in the famed courtyard. An event where you snuggle down with food and drink and take advantage of the giant screen within.

Saying this, as it was summer, I had been optimistic that the heavens would not open. However, this being England, they did just that.

With a £2 plastic rain mac in tow, we prepared for a night of childhood memories and torrential rain. I must admit, I adore My Neighbor Totoro (it is one of my Studio Ghibli favourites) but even I was a bit miffed at the weather – they do pre-warn though, the show must go on despite the weather. 

My Neighbor Totoro, Studio Ghibli, Film, Umbrella Scene, Film4 Summer Screen at Somerset House | The LDN Gal

My Neighbor Totoro Film, Umbrella Scene, Film4 Summer Screen at Somerset House | The LDN Gal

The Film4 Summer Screen Experience

Even with the rain hopping upon me for pretty much the duration of the film, as soon as Totoro popped onto the screen I was delighted and entranced, especially when he shared my pain in the beloved umbrella scene at the bus stop – laughs ensued and the mood brightened. 

I would recommend the Film4 Summer Screen event to anyone. It is a unique experience in one of the most historical courtyards in London. A perfect date-night or birthday treat (August baby you see).

I would warn you to prepare for the elements, think cushions, something to lean on, a rain mac and lots of snacks. Thankfully, a kind steward took pity on me and gave me a blanket.

Overall, I would return despite the weather,  spending the latter half of the film standing to watch to avoid the downpour. Somerset House offers a magical experience, be it the Film4 Summer Screen or skating upon the ice rink at Christmas time.

The Film4 Summer Screen 2017 has now concluded. Tickets will go on sale for next years event in Spring 2018.

Have you been to the Film4 Summer Screen at Somerset House? What is your favourtie childhood film?

Stephanie xox

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Ghibli by hyung86

The great animation debate: Studio Ghibli versus Disney

Disney is a universal brand, a timeless reflection back to our youth. It is brimming with fond memories of cinema trips and cosy nights in with the family. Tales of traditionally ‘perfect’ Princesses, talking animals and sing-along-songs. The companies ability to hold a special place in the hearts of each generation for almost a century is admirable. So, why is Studio Ghibli, the Japanese counterpart for the East, so much more?

For those who do not know of Studio Ghibli, it was founded in 1985, around 62 years after its fair-to-say rival, Disney. The Japanese company has created over 20 beautiful animated feature films to date, with their own array of wonderfully crafted heroes and heroines.

The two animation giants undoubtedly share similar traits, their work is utterly timeless and adored globally. However, it is a belief shared by many that the East began to take over the West when it came to quality animation, and there are a fair few reasons why Studio Ghibli will always surpass Disney.

Growing up, I watched both Disney and Studio Ghibli films, and the latter continues to move me as I edge towards my mid-twenties (a scary prospect). The heart of Studio Ghibli stems from its animation team, especially from the creative brain of the former lead director, Hayao Miyazaki, who created something with a far deeper moralistic and feminist meaning.

Japanese Studio Ghibli Posters - Ghibli versus Disney - The LDN Gal

Why are strong female leads so important in animation?

Like many, I found myself learning far more from Studio Ghibli, with their tales of female struggle and empowerment (most films tend to have a strong female lead). Unlike the Disney Princesses, the heroines are relatable without the patronising undertone and the magic and depth of their fantasy tales awakens the attention of adults, as well as presenting important moral dilemmas and messages for children watching.

Looking at the female leads in Disney films (predominantly the Disney Princesses) in comparison to those in Studio Ghibli, a striking difference will continuously manifest itself. Time and time again in Disney, it will be seen that these princesses are overtly defenseless without the men in their lives to rescue them (Mulan, Merida and the new Princess Moana being the few exceptions).

Compare this to Studio Ghibli, and you will find feminist icons in abundance,  the majority of Ghibli films have an admirable and strong female lead. Miyazaki says:

“Many of my movies have strong female leads – brave, self-sufficient girls that don’t think twice about fighting for what they believe in with all their heart. They’ll need a friend, or a supporter, but never a savior. Any woman is just as capable of being a hero as any man.”

Not relying on a man (or anyone for that matter) is a recurring theme, everyone is seen as equal in the gender Olympic’s and this is just wonderful for the self-esteem of a small child, who doesn’t love feeling empowered and equal?

Why is female empowerment needed in animation?

An example of utter reliance on men is presented to us in The Little Mermaid (Disney). Our leading mermaid, Ariel, plays centre-stage under the sea, she is beautiful, feisty and terribly naive. Of course, she falls head-over-heels for the ‘wrong’ guy in the opinion of her father, whom she then desperately seeks out upon the land in exchange for her voice. He notices her, but not enough to avoid being bewitched and ensnared by a witch. Says it all but a happy ending is guaranteed, this is Disney.

Old Sophie Howls Moving Castle - Ghibli versus Disney - The LDN Gal

Compare this with female protagonist Sophie of Howl’s Moving Castle (Studio Ghibli), and you are presented with a self-conscious wallflower. Sophie is plain and unnoticed, obviously reinforced as viewers see that even her own mother fails to realise her transformation from a young girl into a twisted hag. This ordinary girl, no ‘beauty’ on her side, must seek out a wizard whose attention she had caught in her youthful state. The issue being that she cannot speak a word to anyone about the curse and therefore must lurk around until she can figure out how to break it herself, while her wizarding companion is on a quest to find himself also.

There is far more depth to Sophie, she’s opinionated, brash and stern (probably something to do with the aged state and being utterly fed up). Whereas Ariel is presented as emotionally motivated and stroppy, only seeking her happiness as an end goal and caring little for the loss of those around her (particularly her somewhat overbearing father who is terrified about her disappearance). On the other hand, Sophie seeks to help all those around her, she is a complex character whose love and compassion motivates her throughout, perhaps even at her own expense and happiness at times.

The problem with Disney is that helplessness, ‘love’ and beauty define the Princesses. With Studio Ghibli, beauty isn’t key, the female leads are admired for their strength, journey, and powerful hearts. It is a stark and reoccurring difference, just select any Disney or Studio Ghibli film.

Some critics argue that Studio Ghibli films exploit these young heroines. However, It would seem that the consensus argues that Ghibli, in fact, challenges girls to solve their own problems. Saying this, modern Disney appears to have approached this too with ‘stronger’ characters such as Mulan and Merida, to name a few. In contrast, Studio Ghibli has been doing this with his characters since day one, in a culture often perplexed by such dominating female empowerment.

Another perk is that Studio Ghibli animations provide far more cultural exploration for us Westerners and prove themselves to be culturally apt. Whereas Disney often fails to truly embrace the cultures of their Princesses in their locality.

Often you will hear of Disneyland being the ‘most magical place on earth’, its stories the basis for this magic. I argue that Studio Ghibli offers far more magic, it teaches us to be kind, to not judge, to respect and cherish our environment (nature being of great religious importance to the Japanese), that pacifism can work and childhood transitioning is tough, no one can save you from it but you.

Their stories are creative, with complex and challenging storylines, developed and iconic characters, heartwarming and meaningful messages, embellished with beautiful animation. Studio Ghibli will remain timeless to its audience, holding many an animated heart for a lifetime with their emotion invoking work. The core and important message will stay the same, despite your gender, appearance, size or background, you can achieve anything you want to, and this is why Studio Ghibli will always surpass Disney.

Does your heart remain with Disney or Studio Ghibli? What is your favourite Ghibli film?

Stephanie xox

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